Molar

PPA production: Michał Litwiniec, Beata Szczepańska

Musicians:
Bartosz Weber (MIR, Baaba, probably Mitch&Mitch) – guitar, sampler
Jacek Prościński (Hałvva, Lasy, wh0wh0) – drums
Michał Fetler (Koń, Głupi Komputer, Polmuz) – saxophones

When ’90s electronics collide with avant-garde jazz to fall together into a dance trance.
The backbone of the improvisation is formed by compositions by Bartosz Weber, who works with an ultra-modern tracker (which still demands solid old-school skills) by the Polish company Polyend. This digital marvel could be manufactured over the hills and far away — but would the band’s sound still have that unmistakable wild, Slavic-technological edge then?
So: there are sequences, loops, and rigid structures — and above them, beside them, in front of and behind them — saxophone and drums tangled together. Just like in Tadeusz Peiper’s formula: metropolis, mass, machine.

“Bartosz Weber invests a great deal of energy in structure, melodies, and the relationships between individual parts. As Molar, he plays quantized music — yet deeply humanistic.”
(Bartek Chaciński, Polityka)

“There will be no shortage of sparkling adventures, free-falling, and even mad electronics.”
(Jarek Szczęsny, nowamuzyka.pl)